PENELOPE

SHOW PHOTOS

CREDITS

PENELOPE By Enda Walsh 2024 at Carnegie Mellon University School of Drama

Directed by Spencer Byham-Carson

Scenic Designer: Phoebe Huggett, Lighting Designer: Xuewei Eva Hu Costume Designer: Sophie Howard Media Designer: Sophia Coscia

Scenic Charge Artist, Props Manager: Phoebe Huggett

Matthew Diston as Quinn, Carwell Redmon as Burns, Donathon Arnold as Dunne, Sean Hodges as Fitz

PENELOPE IN PROGRESS

DRAFTING PACKET

Penelope in this production became a script that revolved around the idea of worship; specifically what different forms of conscious and unconscious worship looked like and how those took up space in the characters heads and actions. Thus the play was staged in alley, on one side the overlook from Penelope’s house onto the pool mirrored on the other side by a Potrait to Odysseus. While the show is named for her, and many actions in the script are taken in her name, Odysseus is the real power onstage. The characters onstage seek to take his place; to be married to Penelope is to be Odysseus, to have proven yourself the powerful through violence which is what these men spend not only the show doing, but have spent decades exercising themselves in this way. The portait is Odysseus altar where he gathers strength through the actions of these man as they fulfill the ideals he stands for.


Series 1 Potrait

Odysseus Potrait Photo

Series 2 Potrait

Final Paint Sample

Final Paint Elevation

ODYSSEUS & HIS POTRAIT

Series 2 Potrait

Series 2 Potrait

Rough Paint Elevation

The Pool is the site for the show. It is a place these men have spent countless decades warring, killing fighting and worshiping. It is the only place that truly matters to them, not the homes they live in, not the beautiful island, but this pool that they have disrespected. The floor is painted in a blue/teal wet blend with grout lines painted in on the top; the grout lines warp as they approach the foot of the Odysseus portait as his power over the space begins to warp the physical area these men exist in. The pool was painted resembling a more quality tile to help sell the disrespect the men have to this space in contrast to the detritus and wrappers they would leave around during the show. The colors were chosen to allow for play with the lighting designer with colored lights being able to bring out the red in the floor as blood in key moments, as well as focus on different parts of the color in other moments.

Warping Reference

THUMBNAIL SAMPLES

Odysseus Potrait Final

Series 2 Potrait

Draft Paint Elevation

Full Tile Treatment Photo

THE POOL

Series 2 Potrait

Tile Reference Image